Philip Reynolds, VP, Associate Creative Director, Palio
If you find yourself in downtown Manhattan this November with a little time to kill, go to the Cooper Union, walk down the stairs, and check out an inspiring show called PHARMA, on view at the Herb Lubalin Study Center through December 3d.
The focus is masterworks of pharmaceutical graphic design and advertising from the 1940s to 1960s. If you think “masterworks” sounds too lofty to describe even the best of our hard-nosed industry, consider that mid-century giants Paul Rand, Lester Beall, Will Burtin, and Ivan Chermayeff all did pharma work.
The show lightly traces the whole history of pharmaceutical advertising, from its pre-FDA quack origins to the present day. You’ll see Ur-executions of now-familiar pharma concepts: the original chessboard, rowing crew, and suit of armor. Anyone hoping for an exegesis of contemporary pharma advertising will be disappointed, though. A bit of wall is hung with some satires (with predictably subversive lists of adverse events), but that’s it. I would have liked to have seen a serious discussion of work by the design stars of today, and how the best manage regulatory meddling that would have made Herb Lubalin throw away his calligraphy brush in despair.
But anything in the show that’s pre-WWII or post-60s is just there to provide a setting for the real jewels. The Mad Men ads, brochures, and packagings on display evoke a time when graphic masters were inspired by a confluence of optimistic forces: Visionary corporations headed by Swiss chemist-capitalists. Wonder drugs that promised to ease the strains of modern life. Faith in the power of great design to support and even add prestige to the image of a benevolent industry. And what an image they created — all in spite of (or is it because of?) the lack of Illustrator, InDesign, and Photoshop.
Palio is an advertising agency revolutionizing pharmaceutical and healthcare marketing to create experiences that will Never Be Forgotten.









